Podcast Season 1
Ep 3: What Is A Fanzine & How Can It Support Our Liberation? | Guadalupe Arriegue, Sundiata Soon-Jahta, & Maryella Marie
Watch the episode here
Ready to create your own liberation project?
Check out this abbreviated recording of our recent #fanzine demo and Q&A on the Grow Dialogue Podcast.
In this condensed conversation and fanzine presentation you’ll discover:
What a fanzine is and why we’re creating fanzines on the podcast
Why this season’s featured artist uses them for her liberation
A list of “zines” for inspo
Images to get you started
Community support as you create your own Fanzine
Virtual liberation interventions
More resources for support
What is a fanzine and why are we creating fanzines on the podcast?
If you search the web or your local library, you’ll find lots of information about what a fanzine is and how it’s been used to support liberation movements. In a nutshell, as our resident artist, Guadalupe, explains, “A fanzine is a DIY tool used to express yourself, digitally or physically, sharing whatever you are a “fan” of and letting your intuition guide you…while not having any hard expectations for how the final piece should turn out.”
The Grow Dialogue Podcast’s #fanzine project is an experiment in liberation. It’s a poetic call-to-action for our listeners to create and share!
We’re curating this intentional DIY (do it yourself) activity for our community members that combines poetic expression and activation in order to support our individual and collective liberation…in a creative way! Our intention is to invite our listeners to move from passively listening to conversations around liberation, to actively creating their own liberation project!
Here’s how you can participate:
We want you to create your own liberation project, using the Theory of Indivisibility as your inspiration. Check out the tools of indivisibility here, or rewatch our live demo to hear Sundiata break it down for us. We’re looking forward to seeing what you create with us this season! Keep in mind that this process will continue all season, and you’ll have time to ask more questions and even present your fanzine process to our community!
Join us for the first of many fanzine showcases and Q&As next week, July 21 @ 4pm ET to ask questions, share your process, feel encouraged, or to showcase your own fanzine. If you can’t make it live, no worries. Join our community to catch up on what you missed. You’ll get access to our community content and we’ll be sure to invite you to our future podcast events.
Why this season’s featured artist uses Fanzines for her liberation!
“I love zines because they promote a “Do It Yourself” quality in a wildly expressive yet polished/editorial format. I love storytelling, reading words of inspiration, and visual literature, so it’s the perfect combination for zine creation!
I believe that creating a fanzine can support ones' liberation and support the Theory of Indivisibility because it allows the creator to say, express, publish and spread their voice independently, without censorship, while also favoring the formation and support of groups. This social aspect allows the zine to circulate and sustain itself in its fanzine ecosystems offline and/or online.”
—Guadalupe, Artist, Poet, Educator
A list of zines for inspo:
Check out some of our featured artist’s favorite zines:
* The Comet (1930) is considered the first zine in our recorded history. Edited by Raymond Arthur Palmer and published by the Science Correspondence Club of Chicago
* Lunary (2021) is Guadalupe’s most recent zine. It's a lunar calendar that also works as a journal/log of her physical and emotional body. This printed technique uses Mexican-Mayan codes. Guadalupe created this zine at Ace artist residency in Buenos Aires, Argentina.
* Riot Grrrl (1991) is a catalog of zines made by the Riot Girrrl Movement. They believed in the power of girls and women actively engaging in cultural production; specifically creating their own music and fanzines rather than following existing social norm production. The band associated with the Riot Girrrl Movement used their music and created zines to express feminist and anti-racist viewpoints.
GD Founder: Sundiata Soon-Jahta
Producer: Maryella Marie
Writer, Producer, Co-host: Maryella Marie
Co-host & Founder @ Grow Dialogue: Sundiata Soon-Jahta
Featured Cover Art: Guadalupe Arriegue
Featured Music:
“Slidin” by Gualay The Goat @gualaythegoat
“Nomad instrumental” by Woolman Grundy @woolmangrundy
“Love Lost” Instrumental by Gualay The Goat @gualaythegoat
“Sydewalk” by Woolman Grundy @woolmangrundy
“I’m Coming” by Ill Neal @illnealmusic
EPISODE CREDITS
Guadalupe Arriegue’s Instagram and website
For inquiries on commissioned artwork, contact Maryella@GrowDialogue.com
Join our community to continue the conversation
Subscribe to Grow Dialogue’s Youtube Channel
Support the Grow Dialogue Podcast on Patreon
SHOW NOTES
Guadalupe Arriegue is a visual artist and poet from Buenos Aires, Argentina. Her work integrates art, literature and astronomy. She practices astrophotography with various techniques for printing the skies and cosmovisions. She also runs Ruta Astral, a cultural astronomy project.
She has a degree in Literature from the University of Buenos Aires, and is a professor at the School of Art and Heritage of the University of San Martín.
She has held individual exhibitions in Argentina, Spain, and Mexico. She participated in several international festivals, congresses, seminars, workshops and collective exhibitions. She currently works as editor of the Valparaíso International Photography Festival and is part of the management team at TURMA, an NGO with a "visual books" library, which produces the FELIFA Festival, a meeting of artists, photographers, designers, students, authors and book lovers.
Guadalupe's Artist Statement:
My practice focuses on star gazing, observing their cycles, movements, teachings, notations and calculations. I contemplate time in sky and space. I am also fascinated by the abilities of living beings to create languages, symbolism, rituals and myths. I investigate anti-colonial and feminist studies and practices, and I love the power of art and literature to reconstruct, imagine and make visible the invisible!